The concept of Smoothness applies to both the Specular workflow and the Metallic workflow, and works in very much the same way in both. By default, without a Metallic or Specular texture map assigned, the smoothness of the material is controlled by a slider. This slider allows you to control the “microsurface detail” or smoothness across a surface.
Both shaderA small script that contains the mathematical calculations and algorithms for calculating the Color of each pixel rendered, based on the lighting input and the Material configuration. More info
See in Glossary modes are shown above, because if you choose to use a texture map for the Metallic or Specular parameter, the smoothness values are taken from that same map. This is explained in further detail down the page.
The “microsurface detail” is not something directly visible in Unity. It is a concept used in the lighting calculations. You can, however, see the effect of this microsurface detail represented by the amount the light that is diffused as it bounces off the object. With a smooth surface, all light rays tend to bounce off at predictable and consistent angles. Taken to its extreme, a perfectly smooth surface reflects light like a mirror. Less smooth surfaces reflect light over a wider range of angles (as the light hits the bumps in the microsurface), and therefore the reflections have less detail and are spread across the surface in a more diffuse way.
A smooth surface has very low microsurface detail, or none at all, so light bounces off in uniform ways, creating clear reflections. A rough surface has high peaks and troughs in its microsurface detail, so light bounces off in a wide range of angles which, when averaged out, create a diffuse colour with no clear reflections.
At low smoothness levels, the reflected light at each point on the surface comes from a wide area, because the microsurface detail is bumpy and scatters light. At high values of smoothness, the light at each point comes from a narrowly focused area, giving a much clearer reflection of the object’s environment.
In a similar way to many of the other parameters, you can assign a texture map instead of using a single slider value. This allows you greater control over the strength and colour of the specular light reflections across the surface of the material.
Using a map instead of a slider means you can create materials which include a variety of smoothness levels across the surface (usually designed to match what is shown in the albedo texture).
|Smoothness source||Select the texture channel where the smoothness value is stored.|
|Specular/Metallic Alpha||Because the smoothness of each point on the surface is a single value, only a single channel of an image texture is required for the data. Therefore the smoothness data is assumed to be stored in the Alpha Channel of the same image texture used for the Metallic or Specular texture map (depending which of these two modes you are using).|
|Albedo Alpha||This lets you reduce the total number of textures, or use textures of different resolutions for Smoothness and Specular/Metallic.|
|Highlights||Check this box to disable highlights. This is an optional performance optimization for mobile. It removes the calculation of highlights from the Standard ShaderA built-in shader for rendering real-world objects such as stone, wood, glass, plastic and metal. Supports a wide range of shader types and combinations. More info
See in Glossary. How this affects the appearance mainly depends on the Specular/Metallic value and the Smoothness.
|Reflections||Check this box to disable environment reflections. This is an optional performance optimization for mobile. It removes the calculation of highlights from the Standard Shader. Instead of sampling the environment map, an approximation is used. How this affects the appearance depends on the smoothness.|
Smoother surfaces are more reflective and have smaller, more tightly-focused specular highlights. Less smooth surfaces do not reflect as much, so specular highlights are less noticable and spread wider across the surface. By matching the specular and smoothness maps to the content in your albedo map, you can begin to create very realistic-looking textures.
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