When Unity imports Model files that contain Humanoid Rigs and Animation, it needs to reconcile the bone structure of the Model to its Animation. It does this by mapping each bone in the file to a Humanoid Avatar so that it can play the Animation properly. For this reason, it is important to carefully prepare your Model file before importing into Unity.
From the Rig tab of the Inspector window, set the Animation Type to Humanoid. By default, the Avatar Definition property is set to Create From This Model. If you keep this option, Unity attempts to map the set of bones defined in the file to a Humanoid Avatar.
In some cases, you can change this option to Copy From Other Avatar to use an Avatar you already defined for another Model file. For example, if you create a Mesh (skin) in your 3D modeling application with several distinct animations, you can export the Mesh to one FBX file, and each animation to its own FBX file. When you import these files into Unity, you only need to create a single Avatar for the first file you import (usually the Mesh). As long as all the files use the same bone structure, you can re-use that Avatar for the rest of the files (for example, all the animations).
If you enable this option, you must specify which Avatar you want to use by setting the Source property.
You can also change the maximum number of bones that can influence a given vertex with the Skin Weights property. By default, this property limits influence to four bones, but you can specify more or fewer.
When you click the Apply button, Unity tries to match up the existing bone structure to the Avatar bone structure. In many cases, it can do this automatically by analyzing the connections between bones in the rig.
If the match succeeds, a check mark appears next to the Configure menu. Unity also adds an Avatar sub-Asset to the Model Asset, which you can find in the Project view.
A successful match simply means that Unity was able to match all of the required bones. However, for better results, you also need to match the optional bones and set the model in a proper T-pose.
If Unity can’t create the Avatar, a cross appears next to the Configure button, and no Avatar sub-asset appears in the Project view.
Since the Avatar is such an important aspect of the animation system, it is important to configure it properly for your Model.
For this reason, whether or not the automatic Avatar creation succeeds, you should always check that your Avatar is valid and properly set up.
If you want to check that Unity correctly mapped your model’s bones to the Avatar, or if Unity failed to create the Avatar for your model, you can click the Configure … button on the Rig tab to enter the Avatar configuration mode.
If Unity successfully creates an Avatar, the Avatar appears as a sub-asset of the model Asset. You can select the Avatar asset in the Project window, and then click the “Configure Avatar” button in the Inspector to enter the Avatar configuration mode. This mode allows to check or adjust how Unity maps your model’s bones to the Avatar layout.
Once you have entered the Avatar configuration mode, the Avatar window appears in the Inspector displaying bone mapping.
Make sure the bone mapping is correct and that you map any optional bones that Unity did not assign.
Your skeleton needs to have at least the required bones in place for Unity to produce a valid match. In order to improve your chances for finding a match to the Avatar, name your bones in a way that reflects the body parts they represent. For example, “LeftArm” and “RightForearm” make it clear what these bones control.
If the model does not yield a valid match, you can use a similar process to the one that Unity uses internally:
If automapping fails completely or partially, you can manually assign bones by either dragging them from the Scene view or from the Hierarchy view. If Unity thinks a bone fits, it appears in green in the Avatar Mapping tab; otherwise it appears in red.
The T-pose is the default pose required by Unity animation and is the recommended pose to model in your 3D modeling application. However, if you did not use the T-pose to model your character and the animation does not work as expected, you can select Reset from the Pose drop-down menu:
If the bone assignment is correct, but the character is not in the correct pose, you will see the message “Character not in T-Pose”. You can try to fix that by choosing Enforce T-Pose from the Pose menu. If the pose is still not correct, you can manually rotate the remaining bones into a T-pose.
El enmascaramiento le permite descartar algunos de los datos de animación dentro de un clip, lo que permite al clip animar solo partes del objeto o personaje en lugar de todo. Por ejemplo, puede tener una animación estándar para caminar que incluye movimientos de brazos y piernas, pero si un personaje lleva un objeto grande con ambas manos, no querrá que sus brazos se muevan hacia un lado mientras caminan. Sin embargo, aún puede utilizar la animación estándar para caminar mientras transporta el objeto utilizando una máscara para reproducir solo la parte superior del cuerpo de la animación sobre la parte superior de la animación de caminar.
You can apply masking to animation clips either during import time, or at runtime. Masking during import time is preferable, because it allows the discarded animation data to be omitted from your build, making the files smaller and therefore using less memory. It also makes for faster processing because there is less animation data to be blended at runtime. In some cases, import masking may not be suitable for your purposes. In that case, you can apply a mask at runtime by creating an Avatar Mask Asset, and using it in the layer settings of your Animator Controller.
To create an empty Avatar Mask Asset, you can either:
The new Asset appears in the Project view: